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Russell Simmons presents Def Poetry, better known as simply Def Poetry Jam or Def Poetry, was a spoken word poetry television series hosted by Mos Def and airing on HBO between and The series features performances by established and up-and-coming spoken word poets. Performances also include special appearances by well-known actors and musicians, as well as occasional performances .
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The series features performances by established and up-and-coming spoken word poets. Performances also include special appearances by well-known actors and musicians, as well as occasional performances by Mos Def himself. As with Def Comedy, Simmons appears at the end of every episode to thank the audience. It also featured poets, Saul Williams , J. Ivy , Jessica Care-Moore and Lemon.
To Guide Entry Introduction Malcolm X writes in his autobiography that he was the most articulate hustler on the block; a few hundred words were all he knew and needed to work the street. But once imprisoned, and motivated to write a letter to the Honorable Elijah Muhammad, he was embarrassed to discover that not only did he not have the vocabulary to express his thoughts, he couldn’t even read his own writing. Frustration with his handicap turned into powerful motivation, and he transformed his incarceration into a crash course in literacy: Gradually he liberated the voice that was imprisoned inside of him, and he liberated himself from prison three years before serving his ten-year sentence.
In the course of time, he became a formidable voice for the Nation of Islam in the United States and ultimately used his vocabulary and writing skills to craft his renowned autobiography. If Malcolm X had not aggressively sought and exercised his voice, both orally and in writing, he might have languished in obscurity in prison with only a couple of mug shots in a file cabinet folder instead of the two by three foot poster on my bulletin board capturing him dressed in a suit and tie, making a dynamic speech into the bank of microphones before him.
Printed across the top of the poster, referring to the right of African Americans to be respected as human beings and to be given the rights of a human being in this society, is his famous mantra: Ironically, Malcolm X had to go to prison to liberate the power of the voice inside him. I am adopting his mantra, “By any means necessary,” in this unit that focuses on a diversity of voices in literature. It is designed for my high school students, many of whom feel imprisoned in school, in the ‘hood, in themselves, within the limits of their street language, within the limits of their writing skills, and their futures.
I will teach it with the optimism that in hearing the voices in this literature, they will begin to explore, experiment with and hear the range of their own powerful and amazing voices. Rationale The high school students, ranging from grades nine through twelve, in my Writing Seminar classes at Wilbur Cross Annex have been consigned or relegated to the Annex because, among other things, they need to catch up on the credits they are missing to be at the grade level appropriate for their age.
Along with a shortage of credits, most students, due to erratic attendance, are missing many skills that are crucial for effective speaking, reading, and writing, and for communicating, in general. For my students, ninety-nine percent of whom are African American and Latino, the ‘hood is the extent of their world, where they jockey for visibility and voice among their peers.